What did Bakhtin think about the theatre? That it was outdated? That is âstopped being a serious genreâ after Shakespeare? Could a thinker to whose work ideas of theatricality visuality and embodied activity were so central really have nothing to say about theatrical practice? Bakhtin and Theatre is the first book to explore the relation between Bakhtinâs ideas and the theatre practice of his time. In that time Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavskyâs pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s breaking with the realism of his former teacher. Less than twenty years after Stanislavskyâs death and Meyerholdâs assassination a young student called Grotowski was studying in Moscow soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre drawing on disagreeing with and challenging each otherâs ideas. Bakhtinâs early writings about action character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre. . Language: English