This volume brings philosophers art historians intellectual historians and literary scholars together to argue for the philosophical significance of Michael Friedâs art history and criticism. It demonstrates that Friedâs work on modernism artistic intention the ontology of art theatricality and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars this collection engages with philosophical themes from Friedâs texts and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein Stanley Cavell Morris Weitz Elizabeth Anscombe Arthur Danto George Dickie Immanuel Kant Friedrich Schiller G. W. F. Hegel Arthur Schopenhauer Friedrich Nietzsche Denis Diderot Maurice Merleau-Ponty Roland Barthes Jacques RanciÃre and SÃren Kierkegaard. As it makes a case for the importance of Fried for philosophy this volume contributes to current debates in analytic and continental aesthetics philosophy of action philosophy of history political philosophy modernism studies literary studies and art theory. . Language: English